In dealing with those who are undergoing great suffering, if you feel "burnout" setting in, if you feel demoralized and exhausted, it is best, for the sake of everyone, to withdraw and restore yourself. The point is to have a long-term perspective.
We're charlatans in a way, we're magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style, I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they'll pay attention long enough to consume it.
Composing on the typewriter, I find that I am sloughing off all my long sentences which I used to dote upon. Short, staccato, like modern French prose. The typewriter makes for lucidity, but I am not sure that it encourages subtlety.
So long as I'm the president, we will. I clearly see the challenge. I see the challenge of what these threats pose to our homeland, and I see the challenge of what these threats pose to the world.
I, too, am indignant when the worthy Homer nods; yet in a long work it is allowable for sleep to creep over the writer.
[Lat., Et idem
Indignor quandoque bonus dormitat Homerus;
Verum opere longo fas est obrepere somnum.]
I will achieve in my life - Heaven grant that it be not long - some gigantic amalgamation between the two discrepancies so hideously apparent to me. Out of my suffering I will do it. I will knock. I will enter.
So you see how endlessly futile and fruitless it would be if we wanted to refute their objections every time they obstinately resolved not to think through what they say but merely to speak, just so long as they contradict our arguments in any way they can.
As long as Iran's aggressive policies continue, it's going to be bad for the region. Iran has to decide whether it wants a revolution or a nation-state.