And yet I do love a kind of light, melody, fragrance, food, embracement when I love my God; for He is the light, the melody, the fragrance, the food, the embracement of my inner self - there where is a brillance that space cannot contain, a sound that time cannot carry away, a perfume that no breeze disperses, a taste undimisnished by eating, a clinging together that no saiety will sunder. This is what I love when I love my God.
This horror will grow mild, this darkness light; Besides what hope the never-ending flight Of future days may bring, what chance, what change Worth waiting--since our present lot appears For happy though but ill, for ill not worst, If we procure not to ourselves more woe.
The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.To "see the light" too often has meant rejecting the treasures found in darkness.
There is a veil between the Supermind above and the lower Prakriti below - the veil of ingrained formations. This veil may completely withdraw or be partially withdrawn. Thus even if there is some little opening, with the contact of Light from above the lower nature will get slowly changed.
Late have I loved you, O beauty ever ancient, ever new. Late have I loved you. You have called to me, and have called out, and have shattered my deafness. You have blazed forth with light and have put my blindness to flight! You have sent forth fragrance, and I have drawn in my breath, and I pant after you. I have tasted you, and I hunger and thirst after you. You have touched me, and I have burned for your peace.
And I will place within them as a guide My umpire conscience, whom if they will hear Light after light well used they shall attain, And to the end persisting, safe arrive.
There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
The truth is revealed by removing things that stand in its light, an art not unlike sculpture, in which the artist creates, not by building, but by hacking away.