We pass for what we are. Character teaches above our wills. Men imagine that they communicate thier virtue or vice by overt actions, and do not see that virtue or vice emit a breath ever moment....One tendency unites them all. The voyage of the best ship is a zsig zag line of a hundred tacks. See the line from a sufficent distance and it straightens itslef to the average tendency.
One trait in the philosopher's character we can assume is his love of the knowledge that reveals eternal reality, the realm unaffected by change and decay. He is in love with the whole of that reality, and will not willingly be deprived even of the most insignificant fragment of it - just like the lovers and men of ambition we described earlier on.
Happy will that house be in which the relations are formed from character; after the highest, and not after the lowest order; the house in which character marries, and not confusion and a miscellany of unavowable motives.
It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet.
Science unfolded her treasures and her secrets to the desperate demands of men, and placed in their hands agencies and apparatus almost decisive in their character. Reflecting on the outcome of World War I, and an ominous future.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
That which we call character is a reserved force which acts directly by presence, and without means. It is conceived of as a certain undemonstrable force, a familiar or genius, by whose impulses the man is guided, but whose counsels he cannot impart.
Whatever may be the pros and cons of going to the public theatre, it is a patent fact that it has undermined the morals and ruined the character of many a youth in his country.
When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.
The overman...Who has organized the chaos of his passions, given style to his character, and become creative. Aware of life's terrors, he affirms life without resentment.
For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
Even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less then Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.
the brut first knows death when it dies, but man draws consciously nearer to it every hour that he lives; and this makes his life at times a questionable good even to him who has not recognised this character of constant anaihilation in the whole of life.