People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour; performing, as it were, a kind of triple bob major on the peal of instruments in the female belfry, with a skilfulness and rapidity of execution that astonished all who heard her.
A state of war or anarchy, in which law has little force, is so far valuable, that it puts every man on trial. The man of principle is known as such, and even in the fury of faction is respected.
Being on a show with a female lead is amazing for me. I love that. I love the powerful woman who's complicated. There's no push to be one thing or another thing. It's all human. That's what you look for as an actor: characters written and portrayed in the most human way possible.
The guys that write Once Upon a Time were major writers on Lost, and we had lunch when I started on OUAT and the first thing I said to them was, "I spent five years on Lost, you have to tell me, was my character good or bad?" They looked at me and said, "We have no idea." That's why you have to make your own backstory. I decided Widmore was the evilest of the evil, but in the end, not even the writers knew.
Though not a participant in the Business of life; I am, like the character of Addison and Steele, an impartial (or more or less impartial) Spectator, who finds not a little recreation in watching the antics of those strange and puny puppets called men.
I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.
God is not looking for extraordinary characters as His instruments, but He is looking for humble instruments through whom He can be honored throughout the ages.
Whatever may be the pros and cons of going to the public theatre, it is a patent fact that it has undermined the morals and ruined the character of many a youth in his country.
The character of the Open Conspiracy [the movement towards a world collective] will now be plainly displayed. It will have become a great world movement as widespread and evident as socialism or communism. It will largely have taken the place of these movements. It will be more, it will be a world religion.
Great occasions rouse even the lowest of human beings to some kind of greatness, but he alone is the really great man whose character is great always, the same wherever he be.
What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
Not simply the righteousness of our Saviour, not simply the beauty of His holiness or the graces of His character, are we to put on as a garment. The Lord Himself is our vesture. Every Christian is not only a Christ bearer, but a Christ wearer. We are so to enter into Him by communion, to be so endued with His presence, and imbued with His Spirit that men shall see Him when they behold us, as they see our garments when they look upon our bodies.