I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.
I know nothing about pistols and revolvers, which is why I usually kill off my characters with a blunt instrument or better with poisons. Besides, poisons are neat and clean and really exciting... I do not think I could look a really ghastly mangled body in the face. It is the means that I am interested in. I do not usually describe the end, which is often a corpse.
Science unfolded her treasures and her secrets to the desperate demands of men, and placed in their hands agencies and apparatus almost decisive in their character. Reflecting on the outcome of World War I, and an ominous future.
If her eyes had no expression, it was probably because they had nothing to express. If she had few wrinkles, it was because her mind had never traced its name or any other inscription on her face.
You cannot build character and courage by taking away people's initiative and independence. You cannot help people permanently by doing for them what they could and should do for themselves.
Anyhow, I've learned one thing now. You only really get to know people when you've had a jolly good row with them. Then and then only can you judge their true characters!
It often happens that those are the best people whose characters have been most injured by slanderers: as we usually find that to be the sweetest fruit which the birds have been picking at.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
That perhaps is your task--to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist's way, but condensed and synthesized in the poet's way--that is what we look to you to do now.
When we deal in generalities, we shall never succeed. When we deal in specifics, we shall rarely have a failure. When performance is measured, performance improves. When performance is measured and reported, the rate of performance accelerates.
I think the least stereotypical gay character on television is probably Matt LeBlanc on Episodes. He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.