It's not necessarily a large number of people that affect the culture. You don't count the number of influential voices, you weigh them. A hundred people can affect the culture.
Seek not the favor of the multitude; it is seldom got by honest and lawful means. But seek the testimony of few; and number not voices, but weigh them.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
Does God proclaim Himself in the wonders of creation? No. All things proclaim Him, all things speak. Their beauty is the voice by which they announce God, by which they sing, "It is you who made me beautiful, not me myself but you.
In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it's the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
Under heaven all can see beauty as beauty only because there is ugliness. All can know good as good only because there is evil. Therefore having and not having arise together. Difficult and easy complement each other. Long and short contrast each other. High and low rest upon each other. Voice and sound harmonize each other. Front and back follow one another.
When putting words together is good to do it with nicety and caution, your elegance and talent will be evident if by putting ordinary words together you create a new voice.