Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
The Britons (say historians) were naked, civilized men, learned, studious, abstruse in thought and contemplation; naked, simple, plain in their acts and manners; wiser than after ages.
Without intermediate artists, music is what "American Idol" decides is great or made by the very poor, because Sharon Osbourne's made everything free. No, we have to support our local artists. It's just that simple. Otherwise, we will have no art.
Converse with a mind that is grandly simple, and literature looks like word-catching. The simplest utterances are worthiest to bewritten, yet are they so cheap, and so things of course, that, in the infinite riches of the soul, it is like gathering a few pebbles off the ground, or bottling a little air in a phial, when the whole earth and the whole atmosphere are ours.
That human life must be some kind of mistake is sufficiently proved by the simple observation that man is a compound of needs which are hard to satisfy; that their satisfaction achieves nothing but a painless condition in which he is only given over to boredom . . .
I know that with consecration on the part of believers, separation from the world, disentanglement from enslaving sins, and a mighty baptism of the Holy Spirit, the church would become a conquering power in the world, not by its constructed theology, not by its Sabbath services, not by its arguments to convince the intellect, but by its simple story of Jesus' love, by the Cross, the Cross--God's hammer, God's fire.
It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing-and the last man gets the credit and we forget the others. He added his little mite - that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.