With regard to philosophical metaphysics, I always see increasing numbers who have attained to the negative goal, but as yet few who climb a few rungs backwards; one ought to look out, perhaps, over the last steps of the ladder, but not try to stand upon them.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
People have been talking about multiverses as a philosophical idea for a long time. But the current incarnations in physics, I think, are more indicative of problems with some things going on at the frontier of physics than ideas that are gonna last.
The philosophic mind inclines always to an elaborate life--the life of Goethe or of Leonardo da Vinci; but the life of the poet isintense--the life of Blake or of Dante--taking into its centre the life that surrounds it and flinging it abroad again amid planetary music.
People must have renounced, it seems to me, all natural intelligence to dare to advance that animals are but animated machines.... It appears to me, besides, that such people can never have observed with attention the character of animals, not to have distinguished among them the different voices of need, of suffering, of joy, of pain, of love, of anger, and of all their affections. It would be very strange that they should express so well what they could not feel.
Alice came to a fork in the road. 'Which road do I take?' she asked. 'Where do you want to go?' responded the Cheshire Cat. 'I don't know,' Alice answered. 'Then,' said the Cat, 'it doesn't matter.