No one knows what capacities for doing and suffering he has in himself, until something comes to rouse them to activity: just as in a pond of still water, lying there like a mirror, there is no sign of the roar and thunder with which it can leap from the precipice, and yet remain what it is; or again, rise high in the air as a fountain. When water is as cold as ice, you can have no idea of the latent warmth contained in it.
You may wish that some parts of (your face) were different, but the actual fact is shown in the mirror. Now, can you look at your conditioning in a similar way?
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
The 19thc hatred of Realism is Caliban's enraged reaction to seeing his own face in the mirror. The 19thc rejection of Romanticism is Caliban's fury at not seeing his face reflected in the mirror.
The quivering, ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing.
When I woke up in the morning and look in the mirror I realise that one of the reasons I don't own a handgun is, I would have shot my thighs off years ago.
That infinite and indescribable good which is there above races as swiftly to love as a ray of light to a bright body.It gives of itself according to the ardor it finds, so that as charity spreads farther the eternal good increases upon it,and the more souls there are who love, up there, the more there are to love well, and the more love they reflect to each other, as in a mirror.
What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
I envy you going to Oxford: it is the most flower-like time of one's life. One sees the shadow of things in silver mirrors. Later on, one sees the Gorgon's head, and one suffers, because it does not turn one to stone.
The human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it.