Thine eyes I love, and they, as pitying me, Knowing thy heart torment me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even, Doth half that glory to the sober west, As those two mourning eyes become thy face: O! let it then as well beseem thy heart To mourn for me since mourning doth thee grace, And suit thy pity like in every part. Then will I swear beauty herself is black, And all they foul that thy complexion lack
If ever (as that ever may be near) you meet in some fresh cheek the power of fancy, then shall you know the wounds invisible that love's keen, arrows make.
You common cry of curs! whose breath I hate As reek o' the rotten fens, whose loves I prize As the dead carcasses of unburied men That do corrupt my air, I banish you; And here remain with your uncertainty!
Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted: and I would I could find in my heart that I had not a hard heart; for, truly, I love none. Beatrice: A dear happiness to women: they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humour for that: I had rather hear my dog bark at a crow than a man swear he loves me. -Much Ado About Nothing
Youth is full of sport, age's breath is short; youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, and age is tame.