I often wonder: suppose we could begin life over again, knowing what we were doing? Suppose we could use one life, already ended, as a sort of rough draft for another? I think that every one of us would try, more than anything else, not to repeat himself, at the very least he would rearrange his manner of life, he would make sure of rooms like these, with flowers and light ... I have a wife and two daughters, my wife's health is delicate and so on and so on, and if I had to begin life all over again I would not marry. ... No, no!
To dine, drink champagne, raise a racket and make speeches about the people's consciousness, the people's conscience, freedom andso forth while servants in tails are scurrying around your table, just like serfs, and out in the severe cold on the street await coachmen--this is the same as lying to the holy spirit.
"Do you know," Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, "for how many years I shall be read? Seven." "Why seven?" Bunin asked. "Well," Chekhov answered, "seven and a half then."
The unhappy are egotistical, base, unjust, cruel, and even less capable of understanding one another than are idiots. Unhappinessdoes not unite people, but separates them.
Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or prison.
A tree is beautiful, but what's more, it has a right to life; like water, the sun and the stars, it is essential. Life on earth is inconceivable without trees.
Try to be original in your play and as clever as possible; but don't be afraid to show yourself foolish; we must have freedom of thinking, and only he is an emancipated thinker who is not afraid to write foolish things.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
It is not only the prisoners who grow coarse and hardened from corporal punishment, but those as well who perpetrate the act or are present to witness it.