When a person hasn't in him that which is higher and stronger than all external influences, it is enough for him to catch a good cold in order to lose his equilibrium and begin to see an owl in every bird, to hear a dog's bark in every sound.
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
In all my life I never met anyone so frivolous as you two, so crazy and unbusinesslike. I tell you in plain Russian your property is going to be sold and you don't seem to understand what I say.
He always seemed to women different from what he was, and they loved in him not himself, but the man created by their imagination, whom they had been eagerly seeking all their lives; and afterwards, when they noticed their mistake, they loved him all the same.
If there's a gun on the wall in act one, scene one, you must fire the gun by act three, scene two. If you fire a gun in act three, scene two, you must see the gun on the wall in act one, scene one.
It is not only the prisoners who grow coarse and hardened from corporal punishment, but those as well who perpetrate the act or are present to witness it.
He is no longer a city dweller who has even once in his life caught a ruff or seen how, on clear and cool autumn days, flocks of migrating thrushes drift over a village. Until his death he will be drawn to freedom.