That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
The swallow is come! The swallow is come! O, fair are the seasons, and light Are the days that she brings, With her dusky wings, And her bosom snowy white!
It is curious to note the old sea-margins of human thought! Each subsiding century reveals some new mystery; we build where monsters used to hide themselves.
Talk not of wasted affection, affection never was wasted; If it enrich not the heart of another, its waters, returning Back to their springs, like the rain, shall fill them full of refreshment; That which the fountain sends forth returns again to the fountain.
As a fond mother, when the day is o'er, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor. Still gazing at them through the open door, Nor wholly reassured and comforted By promises of others in their stead Which, the more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.
Look at this vigorous plant that lifts its head from the meadow, See how its leaves are turned to the north, as true as the magnet; This is the compass-flower, that the finger of God has planted Here in the houseless wild, to direct the traveller's journey. Over the sea-like, pathless, limitless waste of the desert, Such in the soul of man is faith.