The tide rises, the tide falls, The twilight darkens, the curlew calls; The little waves, with their soft, white hands, Efface the footprints in the sands, And the tide rises, the tide falls.
Thus, seamed with many scars Bursting these prison bars, Up to its native stars My soul ascended! There from the flowing bowl Deep drinks the warrior's soul, Skoal! to the Northland! skoal! Thus the tale ended.
Under the spreading chestnut tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. . . . He earns whate'er he can, And looks the whole world in the face, For he owes not any man. . . . Toiling,-rejoicing,-sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night's repose.
Perhaps the chief cause which has retarded the progress of poetry in America, is the want of that exclusive cultivation, which so noble a branch of literature would seem to require. Few here think of relying upon the exertion of poetic talent for a livelihood, and of making literature the profession of life. The bar or the pulpit claims the greater part of the scholar's existence, and poetry is made its pastime.
A word that has been said may be unsaid-it is but air. But when a deed is done, it cannot be undone, nor can our thoughts reach out to all the mischiefs that may follow.
Ah, how skillful grows the hand
That obeyeth Love's command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love's behest
Far excelleth all the rest!