The imitator dooms himself to hopeless mediocrity. The inventor did it because it was natural to him, and so in him it has a charm. In the imitator something else is natural, and he bereaves himself of his own beauty, to come short of another man's.
No one imagines that a symphony is supposed to improve as it goes along, or that the whole object of playing is to reach the finale. The point of music is discovered in every moment of playing and listening to it. It is the same, I feel, with the greater part of our lives, and if we are unduly absorbed in improving them we may forget altogether to live them.
How charming is divine philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets Where no crude surfeit reigns
Let a short Act of Parliament be passed, placing all street musicians outside the protection of the law, so that any citizen
may assail them with stones, sticks, knives, pistols or bombs without incurring any penalties.
Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
The technical history of modern harmony is a history of growth of toleration by the human ear of chords that at first sounded discordant and senseless to the main body of contemporary professional musicians.