Miss Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days. Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don't like novels that end happily. They depress me so much. Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.
Modern pictures are, no doubt, delightful to look at. At least, some of them are. But they are quite impossible to live with; they are too clever, too assertive, too intellectual. Their meaning is too obvious, and their method too clearly defined. One
And still I look for the men who will dare to be
roses of England
wild roses of England
men who are wild roses of England
with metal thorns, beware!
but still more brave and still more rare
the courage of rosiness in a cabbage world
fragrance of roses in a stale stink of lies
rose-leaves to bewilder the clever fools
and rose-briars to strangle the machine.
I've always felt that improv looks and feels more clever when you're there to experience it live than when you have the degree of separation that television creates. Television raises expectations.
Yet, isn't it strange, isn't it weird, how we can KNOW that someone is not behaving in the way we imagine, and at the same time we can be totally convinced that he is! How clever the human mind is, that it can accept two contradictory things as 'facts.' Yes, I know that in this case one 'fact' was untrue. But the human mind can KNOW something is untrue and still accept it as a 'fact,' and act on it as if it were true.