"If it were a dog, it would have bitten you already." Actual Twents: "At e ne hond was, dan e oew allange ebettene." Meaning: Said to someone who is looking for something which is right under his nose. Source: Twents Woordenbook. Twents in Woord en Gebruik.
Actual life was chaos, but there was something terribly logical in the imagination. It was the imagination that set remorse to dog the feet of sin. It was the imagination that made each crime bear its misshapen brood. In the common world of fact the wicked were not punished, nor the good rewarded. Success was given to the strong, failure thrust upon the weak. That was all.
Society is infected with rude, cynical, restless, and frivolous persons who prey upon the rest, and whom no public opinion concentrated into good manners, forms accepted by the sense of all, can reach; the contradictors and railers at public and private tables, who are like terriers, who conceive it the duty of a dog of honor to growl at any passer-by, and do the honors of the house by barking him out of sight.
Why should they ask me to put on a uniform and go ten thousand miles from home and drop bombs and bullets on brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights?
All classes in proportion to their lack of travel and familiarity with foreign literature are bellicose, prejudiced against foreigners, fond of fighting as a cruel sport - in short, dog-like in their notions of foreign policy.
Man's nature is made up of four elements, which produce in him four attributes, namely, the beastly, the brutal, the satanic, and the divine. In man there is something of the pig, the dog, the devil, and the saint.
A man who owns a dog is, in every sense of the words, its master; the term expresses accurately their mutual relations. But it is ridiculous when applied to the limited possession of a cat.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.