Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow. Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.
I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instil is of more value than any thought they may contain. To believe your own thought, to believe that what is true for you in your private heart is true for all men, - that is genius.
if a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. If she can hesitate as to `Yes,' she ought to say `No' directly. It is not a state to be safely entered into with doubtful feelings, with half a heart.
The light of love, the purity of grace, The mind, the Music breathing from her face, The heart whose softness harmonised the whole — And, oh! that eye was in itself a Soul!
If a man is at heart just, then in so far is he God; the safety of God, the immortality of God, the majesty of God do enter into that man with justice.
There is no land like England,
Where'er the light of day be;
There are no hearts like English hearts,
Such hearts of oak as they be;
There is no land like England,
Where'er the light of day be:
There are no men like Englishmen,
So tall and bold as they be!
And these will strike for England,
And man and maid be free
To foil and spoil the tyrant
Beneath the greenwood tree.
Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the absolutely trustworthy was seated at their heart, working through their hands, predominating in all their being.
In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
Kindness steers no easy course. Attributing it to character, we seldom recognize the secret efforts of a noble heart, whereas we reward really wicked people for the evil they refrain from committing.
I have a heart to be stabbed in or shot in, I have no doubt, and, of course, if it ceased to beat, I would cease to be. But you know what I mean. I have no softness there, no—sympathy—sentiment—nonsense.