Seriously, if you want to get inside the head of a stand-up comic, you could do a lot worse than reading Steve Martin's Born Standing Up, all about how he developed his career and his creativity as a comedian. Lots of what he talks about is relevant to anyone in the creative arts - you find yourself, your voice, your technique and then maybe luck calls.
Undoubtedly ... there is a meanness in all the arts which ladies sometimes condescend to employ for captivation. What bears affinity to cunning is despicable.
When he utilizes combined energy, his fighting men become as it were like unto rolling logs or stones. For it is the nature of a log or stone to remain motionless on level ground, and to move when on a slope; if four-cornered, to come to a standstill, but if round-shaped to go rolling down.
People understand the meaning of eating lies in the nourishment of the body only when they cease to consider that the object of that activity is pleasure. ...People understand the meaning of art only when they cease to consider that the aim of that activity is beauty, i.e., pleasure.
My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
In addition to giving our children the science and math skills they need to compete in the new global context, we should also encourage the ability to think creatively that comes from a meaningful arts education.
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.