ART, n. This word has no definition. Its origin is related by the ingenious Father Gassalasca Jape as "One day a wag - what would the wretch be at? Shifted a letter of the cipher RAT, And said it was a god's name! . . ."
(Title: To the Moon) Art thou pale for weariness Of climbing heaven, and gazing on the earth, Wandering companionless Among the stars that have a different birth,-- And ever-changing, like a joyless eye That finds no object worth its constancy?
I foresee it and yet I hardly ever carry it out as I foresee it. It transforms itself by the actual paint. I don't in fact know very often what the paint will do, and it does many things which are very much better than I could make it do.
In our age the common religious perception of men is the consciousness of the brotherhood of man - we know that the well-being of man lies in the union with his fellow men. True science should indicate the various methods of applying this consciousness to life. Art should transform this perception into feeling.
Whether statistics be an art or a science... or a scientific art, we concern ourselves little. It is the basis of social and political dynamics, and affords the only secure ground on which the truth or falsehood of the theories and hypotheses of that complicated science can be brought to the test.
As all those have shown who have discussed civil institutions, and as every history is full of examples, it is necessary to whoever arranges to found a Republic and establish laws in it, to presuppose that all men are bad and that they will use their malignity of mind every time they have the opportunity.
At the head of all these laws, in and through every particle of matter and force, stands One through whose command the wind blows, the fire burns, the clouds rain, and death stalks upon the earth. And what is His nature? He is everywhere the pure and formless One, the Almighty and the All Merciful. Thou art our Father. Thou art our beloved Friend.
No one is able to produce a great work of art without experience, nor achieve a worldly position immediately, nor be a great lover at the first attempt; and in the interval between initial failure and subsequent success, in the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfillment.
I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.