Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.
What is your substance, whereof are you made, That millions of strange shadows on you tend? Since everyone hath every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you. On Helen’s cheek all art of beauty set, And you in Grecian tires are painted new. Speak of the spring and foison of the year; The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessèd shape we know. In all external grace you have some part, But you like none, none you, for constant heart.
Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.
True perfection seems imperfect,
yet it is perfectly itself.
True fullness seems empty,
yet it is fully present.
True straightness seems crooked.
True wisdom seems foolish.
True art seems artless.
The Master allows things to happen.
She shapes events as they come.
She steps out of the way
and lets the Tao speak for itself.
Something therefore always remains and sticks from the most imprudent of lies, a fact which all bodies and individuals concerned in the art of lying in this world know only too well, and therefore they stop at nothing to achieve this end.
War is a matter of vital importance to the state; the province of life or death; the road to survival or ruin. It is mandatory that it be thoroughly studied.
And the first rude sketch that the world had seen was joy to his mighty heart, till the Devil whispered behind the leaves 'It's pretty, but is it Art?'
Though there are very many nations all over the earth, ...there are no more than two kinds of human society, which we may justly call two cities, ...one consisting of those who live according to man, the other of those who live according to God ....To the City of Man belong the enemies of God, ...so inflamed with hatred against the City of God.
Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon 'd the deceiver, dwell
In this bare island by your spell;
I must be here confined by you,
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please: now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so, that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.
With regard to precipitous heights, if you are beforehand with your adversary, you should occupy the raised and sunny spots, and there wait for him to come up.
We're making tin gods out of those poor buffoons in Hollywood; I dote on movies and appreciate the scanty art therein but I consider the profession about the most debased and debasing I know.
... art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live.
There is no prosperity, trade, art, city, or great material wealth of any kind, but if you trace it home, you will find it rooted in a thought of some individual man.