What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
No one knows what capacities for doing and suffering he has in himself, until something comes to rouse them to activity: just as in a pond of still water, lying there like a mirror, there is no sign of the roar and thunder with which it can leap from the precipice, and yet remain what it is; or again, rise high in the air as a fountain. When water is as cold as ice, you can have no idea of the latent warmth contained in it.
Friends hold a mirror up to each other; through that mirror they can see each other in ways that would not otherwise be accessible to them, and it is this mirroring that helps them improve themselves as persons.
As a kid, I'd go into the bathroom when I was having a tantrum. I'd be in the bathroom crying, studying myself in the mirror. I was preparing for future roles.
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
I have this complicated procedure I go through every morning, which is to look in the mirror and decide what I'm going to do. And I feel at that point, everybody's had their say.
A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.
Of course you have a duty to show the disfigurations of society as well as its more agreeable aspects. But if TV in the western world uses its freedom continually to show all that is worst in our society, while the centrally controlled television of the Communist world and the dictatorships show only what is judged advantageous to them and suppress everything else, how are the uncommitted to judge between us? How can they fail to misjudge if they view matters only through a distorted mirror?
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
In my work and in myself I reflect black people, women and men, as I reflect others. One day even the most self-protective ones will look into the mirror I provide and not be afraid.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.
The 19thc hatred of Realism is Caliban's enraged reaction to seeing his own face in the mirror. The 19thc rejection of Romanticism is Caliban's fury at not seeing his face reflected in the mirror.