Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
The rose is a rose,
And was always a rose.
But the theory now goes
That the apple's a rose,
And the pear is, and so's
The plum, I suppose.
The dear only knows
What will next prove a rose.
You, of course, are a rose -
But were always a rose.
A red rose peeping through a white? Or else a cherry (double graced) Within a lily? Centre placed? Or ever marked the pretty beam, A strawberry shows, half drowned in cream? Or seen rich rubies blushing through A pure smooth pearl, and orient too? So like to this, nay all the rest, Is each neat niplet of her breast.
He listened to her with silent attention, and on her ceasing to speak, rose directly from his seat, and after saying in a voice of emotion, 'To your sister I wish all imaginable happiness; to Willoughby, that he may endeavor to deserve her,' took leave, and went away.
Such an act
That blurs the grace and blush of modesty;
Calls virtue hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a blister there; makes marriage vows
As false as dicers' oaths.
Tennyson and Browning are poets, and they think; but they do not feel their thought as immediately as the odour of a rose. A thought to Donne was an experience; it modified his sensibility.
Tennyson and Browning are poets, and they think; but they do not feel their thought as immediately as the odour of a rose. A thought to Donne was an experience; it modified his sensibility.