The secret studies of an author are the sunken piers upon which is to rest the bridge of his fame, spanning the dark waters of oblivion. They are out of sight, but without them no superstructure can stand secure.
O little feet! that such long years Must wander on through hopes and fears, Must ache and bleed beneath your load; I, nearer to the wayside inn Where toil shall cease and rest begin, Am weary, thinking of your road!
That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.
It is the Harvest Moon! On gilded vanes and roofs of villages, on woodland crests and their aerial neighborhoods of nests deserted, on the curtained window-panes of rooms where children sleep, on country lanes and harvest-fields, its mystic splendor rests.
The morrow was a bright September morn; The earth was beautiful as if newborn; There was nameless splendor everywhere, That wild exhilaration in the air, Which makes the passers in the city street Congratulate each other as they meet.
In December ring Every day the chimes; Loud the gleemen sing In the streets their merry rhymes. Let us by the fire Ever higher Sing them till the night expire!
How absolute and omnipotent is the silence of night! And yet the stillness seems almost audible! From all the measureless depths of air around us comes a half-sound, a half-whisper, as if we could hear the crumbling and falling away of earth and all created things, in the great miracle of nature, decay and reproduction, ever beginning, never ending,--the gradual lapse and running of the sand in the great hour-glass of Time.
Were half the power that fills the world with terror, Were half the wealth bestowed on camps and courts, Given to redeem the human mind from error, There were no need of arsenals or forts.