The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play? Pleas'd to the last he crops the flow'ry food, And licks the hand just rais'd to shed his blood.
In my opinion I really haven't done anything yet. I still have a lot to prove. I just want to prove to myself that I can play at the highest level of baseball in the world every day.
I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
I had no idea of the enormous and unquestionably helpful part that humbug plays in the social life of great peoples dwelling in a state of democratic freedom.
As if a man's soul were not too small to begin with, they have dwarfed an narrowed theirs by a life of all work and no play; until here they are at forty, with a listless attention, a mind vacant of all material of amusement, and not one thought to rub against another, while they wait for the train.
I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results.
I feel the same truth how often in my trivial conversation with my neighbours, that somewhat higher in each of us overlooks this by-play, and Jove nods to Jove from behind each of us.
In exactly the same way, ... scatter your body, your feeling, your perception, your predispositions, your discriminative consciousness, break them up, knock them down, cease to play with them, apply yourself to the destruction of craving for them. Verily, ... the extinction of craving is Nirvana.
For suppose that every tool we had could perform its task, either at our bidding or itself perceiving the need, and if-like the statues made by Dædalus or the tripods of Hephæstus, of which the poet says that "self-moved they enter the assembly of the gods" - shuttles in a loom could fly to and fro and a plectrum play a lyre all self-moved, then master-craftsmen would have no need of servants nor masters of slaves.
I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics. The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
You don't expect me to know what to say about a play when I don't know who the author is, do you? . . . If it's by a good author, it's a good play, naturally. That stands to reason.
The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction.