Hail, high Excess especially in wine,
To thee in worship do I bend the knee
Who preach abstemiousness unto me
My skull thy pulpit, as my paunch thy shrine.
Precept on precept, aye, and line on line,
Could ne'er persuade so sweetly to agree
With reason as thy touch, exact and free,
Upon my forehead and along my spine.
At thy command eschewing pleasure's cup,
With the hot grape I warm no more my wit;
When on thy stool of penitence I sit
I'm quite converted, for I can't get up.
Ungrateful he who afterward would falter
To make new sacrifices at thine altar!
A popular character in old Italian plays, who imitated with ludicrous incompetence the "buffone", or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play.
NOTORIETY, n. The fame of one's competitor for public honors. The kind of renown most accessible and acceptable to mediocrity. A Jacob's-ladder leading to the vaudeville stage, with angels ascending and descending.
PYRRHONISM- An ancient philosophy, named for its inventor. It consisted of an absolute disbelief in everything but Pyrrhonism. Its modern professors have added that.
Dance, v.i. To leap about to the sound of tittering music, preferably with arms about your neighbor's wife or daughter. There are many kinds of dances, but all those requiring the participation of the two sexes have two characteristics in common: they are conspicuously innocent, and warmly loved by the vicious.