In today's climate in our country, which is sickened with the pollution of pollution, threatened with the prominence of AIDS, riddled with burgeoning racism, rife with growing huddles of the homeless, we need art and we need art in all forms. We need all methods of art to be present, everywhere present, and all the time present.
The weight of this sad time we must obey, Speak what we feel, not what we ought to say. The oldest hath borne most: we that are young Shall never see so much, nor live so long.
We must be very suspicious of the deceptions of the element of time. It takes a good deal of time to eat or to sleep, or to earn ahundred dollars, and a very little time to entertain a hope and an insight which becomes the light of our life.
But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If you have ever looked on better days, If ever been where bells knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear, And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be. . . .
Expulsion from Paradise is in its main aspect eternal: that is to say, although expulsion from Paradise is final, and life in theworld unavoidable, the eternity of the process (or, expressed in temporal terms, the eternal repetition of the process) nevertheless makes it possible not only that we might remain in Paradise permanently, but that we may in fact be there permanently, no matter whether we know it here or not.
Should this my firm persuasion of the soul's immortality prove to be a mere delusion, it is at least a pleasing delusion, and I will cherish it to my last breath.
There is a point, of course, where a man must take the isolated peak and break with all his associates for clear principle; but until that time comes he must work, if he would be of use, with men as they are. As long as the good in them overbalances the evil, let him work with them for the best that can be obtained.