In the same manner, having been reduced by disorder, and sunk to their utmost state of depression, unable to descend lower, they, of necessity, reascend; and thus from good they gradually decline to evil, and from evil again return to good. The reason is, that valor produces peace; peace, repose; repose, disorder; disorder, ruin; so from disorder order springs; from order virtue, and from this, glory and good fortune.
[L]ike thee to those in sorrow, Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring, Through the winter wandering, Found, it seems, the halcyon Morn To hoar February born.
The living self has one purpose only: to come into its own fullness of being, as a tree comes into full blossom, or a bird into spring beauty, or a tiger into lustre.
Joy is everywhere; it is in the earth's green covering of grass: in the blue serenity of the sky: in the reckless exuberance of spring: in the severe abstinence of grey winter: in the living flesh that animates our bodily frame: in the perfect poise of the human figure, noble and upright: in living, in the exercise of all our powers: in the acquisition of knowledge. . . Joy is there everywhere.
Sleep is not, death is not; Who seem to die Live. House you were born in, Friends of your spring-time, old man and young maid, Day's toil and it's guerdon, They are all vanishing, Fleeing to fables, Cannot be moored
I visited the Museum of Modern Art last spring and spent time with David Alfaro Siqueiros's painting, 'Echo of a Scream (1937).' I got spun out by the way he creates tension and movement through the interlocking details in the painting. This poem began as an emulation of Siqueiros's compositional style and, in the process, became an ekphrastic aubade about my old neighborhood.
A wounded deer leaps highest, I've heard the hunter tell; 'Tis but the ecstasy of death, And then the brake is still. The smitten rock that gushes, The trampled steel that springs,, A cheek is always redder Just where the hectic stings Mirth is mail of anguish, In which its cautious arm Lest anybody spy the blood And, you're hurt exclaim.
And fairy month of waking mirth
From whom our joys ensue
Thou early gladder of the earth
Thrice welcome here anew
With thee the bud unfolds to leaves
The grass greens on the lea
And flowers their tender boon receives
To bloom and smile with thee.
Then the Parson might preach, & drink, & sing, And we'd be as happy as birds in the spring; And modest dame Lurch, who is always at Church, Would not have bandy children, nor fasting, nor birch.
Ah, how wonderful is the advent of the Spring!—the great annual miracle.... which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If Spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation would there be in all hearts to behold the miraculous change!... We are like children who are astonished and delighted only by the second-hand of the clock, not by the hour-hand.
Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability. To trace the remote in the immediate; the eternal in the ephemeral; the past in the present; the infinite in the finite; these are to me the springs of delight and beauty.