Joie est mon caractere, C'est la faute a Voltaire; Misere est mon trousseau C'est la faute a Rousseau. [Joy is my character, 'Tis the fault of Voltaire; Misery is my trousseau 'Tis the fault of Rousseau.] - Gavroche
The haggard aspect of the little old man was wonderfully suited to the place; he might have groped among old churches and tombs and deserted houses and gathered all the spoils with his own hands. There was nothing in the whole collection but was in keeping with himself nothing that looked older or more worn than he.
The expression of a man's face is commonly a help to his thoughts, or glossary on his speech; but the countenance of Newman Noggs, in his ordinary moods, was a problem which no stretch of ingenuity could solve.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country.
Spirituality is the master key of the Indian mind. It is this dominant inclination of India which gives character to all the expressions of her culture. In fact, they have grown out of her inborn spiritual tendency of which her religion is a natural out flowering. The Indian mind has always realized that the Supreme is the Infinite and perceived that to the soul in Nature the Infinite must always present itself in an infinite variety of aspects.
The virtue you would like to have, assume it is already yours, appropriate it, enter into the part and live the character just as the great actor is absorbed in... the part he plays.
She was too intent upon her work, and too earnest in what she said, and too composed and quiet altogether, to be on the watch for any look he might direct towards her in reply; so the shaft of his ungrateful glance fell harmless, and did not wound her.
For the man who makes everything that leads to happiness, or near to it, to depend upon himself, and not upon other men, on whose good or evil actions his own doings are compelled to hinge,--such a one, I say, has adopted the very best plan for living happily. This is the man of moderation; this is the man of manly character and of wisdom.
If a man has a very decided character, has a strongly accentuated career, it is normally the case of course that he makes ardent friends and bitter enemies.
"You are a boy," said Mr. Dombey, suddenly and almost fiercely; "and what you think of, or affect to think of, is of little consequence. You have done well, Sir. Don't undo it."
One thing about this face was very strange and startling. You could not look upon it in its most cheerful mood without feeling that it had some extraordinary capacity of expressing terror. It was not on the surface. It was in no one feature that it lingered. You could not take the eyes or mouth, or lines upon the cheek, and say, if this or that were otherwise, it would not be so. Yet there it always lurked-something for ever dimly seen, but ever there, and never absent for a moment.
... Herbert said of himself, with his eyes fixed on the fire, that he thought he must have committed a felony and forgotten the details of it, he felt so dejected and guilty.
What the tender and poetic youth dreams to-day, and conjures up with inarticulate speech, is to-morrow the vociferated result of public opinion, and the day after is the character of nations.