At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
Do you hear the people sing Lost in the valley of the night? It is the music of a people Who are climbing to the light. For the wretched of the earth There is a flame that never dies. Even the darkest night will end And the sun will rise.
You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.
Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.
As little flowers, which the chill of night has bent and huddled, when the white sun strikes, grow straight and open fully on their stems, so did I, too, with my exhausted force.
I had seen the damp lying on the outside of my little window, as if some goblin had been crying there all night, and using the window for a pocket-handkerchief.
I feel wicked sleeping in a warm bed, while my dearest friends have been knocked down or have fallen into a gutter somewhere out in the cold night. I get frightened when I think of close friends who have now been delivered into the hands of the cruelest brutes that walk the earth. And all because they are Jews!