Wo muskura ke dard taal deta hai
kisi kisi ko khuda ye kamal deta hai
nazar utha ke jis ko dekh le woh ek
bar
yakeen karo use mushkil mein daal
deta hai
Tanhaion Me Ham Aapko Yaad Bahut Karte Hai,
Aap Khush Rahai Karke Ham O Rab Se Fariyaad Karte Hai,
Ham Aapki Mushkurahat Dekne Ke Liya Behsabri Se Intezar
Kar Rahe Hai,
Aap Kya Jaane Mere Jaan Aapko Dekne Ke Liye,
Ham Be-Inteha Se Tadap Rahe Hai…
Aapke Hone Par Bhi Khud Ko Tanha Samjhu
Mai Bewafa Hu Ya Aapko Bewafa Samjhu
Zakhm Dete Ho Aur Marham Bhi Lagate Ho
Ye Aapki Aadat Hai Ya Aapki Ada Samjhu..!
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
Larka larki ko tang kar raha tha
Larki: ap k ghar main MAA ,BEHAN nai
hai?
Larka: Hain, bus ap ki kami hay
Larki: Ap ko meri kami mehsus horai
ha? Ye baat agar mairay 5 BHAION ko
pata chali to apkay ghar waloN ko
apki KAMI mehsus hogi..
Rahul
As in no other form of lute or combat, the conditions are such; the winner takes nothing, neither his ease, nor his pleasure, nor any notion of glory, nor if he wins far enough, will he find anything within himself.