A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. It has nothing to do with the fact that other people want what they want.
Misery and poverty are so absolutely degrading, and exercise such
a paralysing effect over the nature of men, that no class is ever really conscious of its own suffering. They have to be told of it by other people, and they often entirely disbelieve them.
The true critic is he who bears within himself the dreams and ideas and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure.
What of Art? -It is a malady. --Love? -An Illusion. --Religion? -The fashionable substitute for Belief. --You are a sceptic. -Never! Scepticism is the beginning of Faith. --What are you? -To define is to limit.
Shakespeare might have met Rosencrantz and Guildenstern in the white streets of London, or seen the serving-men of rival houses bite their thumbs at each other in the open square; but Hamlet came out of his soul, and Romeo out of his passion.
Everyone may not be good, but there's always something good in everyone. Never judge anyone shortly because every saint has a past and every sinner has a future.
The great things in life are what they seem to be. And for that reason, strange as it may sound to you, often are very difficult to interpret (understand). Great passions are for the great of souls. Great events can only be seen by people who are on a level with them. We think we can have our visions for nothing. We cannot. Even the finest and most self-sacrificing visions have to be paid for. Strangely enough, that is what makes them fine.
The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.