With little here to do or see Of things that in the great world be, Sweet Daisy! oft I talk to thee For thou art worthy, Thou unassuming commonplace Of Nature, with that homely face, And yet with something of a grace Which love makes for thee!
Who can deny that much that passes for science and art today destroys the soul instead of uplifting it and instead of evoking the best in us, panders to our basest passions?
Deliver me from writers who say the way they live doesn't matter. I'm not sure a bad person can write a good book, If art doesn't make us better, then what on earth is it for.
We cannot enter into alliance with neighbouring princes until we are acquainted with their designs. We are not fit to lead an army on the march unless we are familiar with the face of the country - its mountains and forests, its pitfalls and precipices, its marshes and swamps. We shall be unable to turn natural advantages to account unless we make use of local guides.
When the enemy is at ease, be able to weary him; when well fed, to starve him; when at rest, to make him move. Appear at places to which he must hasten; move swiftly where he does not expect you.
The picture must all come out of the artist's inside, awareness of forms and figures... It is more than memory. It is the image as it lives in the consciousness, alive like a vision, but unknown.
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes: it is barbarous, it is civilized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something else is taken. Society acquires new arts and loses old instincts.
I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling.
The paid wealth which hundreds in the community acquire in trade, or by the incessant expansions of our population and arts, enchants the eyes of all the rest; the luck of one is the hope of thousands, and the bribe acts like the neighborhood of a gold mine to impoverish the farm, the school, the church, the house, and the very body and feature of man.
For I am every dead thing In whom love wrought new alchemy For his art did express A quintessence even from nothingness, From dull privations, and lean emptiness He ruined me, and I am re-begot Of absence, darkness, death; things which are not.
No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.