What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
He passes, struck by the stare of truculent Wellington but in the convex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.
The whiskey warmed his tongue and the back of his throat, but it did not change his ideas any, and suddenly, looking at himself in the mirror behind the bar, he knew that drinking was never going to do any good to him now. Whatever he had now he had, and it was from now on, and if he drank himself unconscious when he woke up it would be there.
The human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it.
"The love of God, unutterable and perfect, flows into a pure soul the way light rushes into a transparent object. The more love that it finds, the more it gives itself: so that, as we grow clear and open, the more complete the joy of heaven is. And the more souls who resonate together, the greater the intensity of their love, and, mirror like, each soul reflects the other.
A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.
In my work and in myself I reflect black people, women and men, as I reflect others. One day even the most self-protective ones will look into the mirror I provide and not be afraid.
I have this complicated procedure I go through every morning, which is to look in the mirror and decide what I'm going to do. And I feel at that point, everybody's had their say.
Knowledge of the Absolute depends upon no book, nor upon anything; it is absolute in itself. No amount of study will give this knowledge; is not theory, it is realization. Cleanse the dust from the mirror, purify your own mind, and in a flash you know that you are Brahman.
No one knows what capacities for doing and suffering he has in himself, until something comes to rouse them to activity: just as in a pond of still water, lying there like a mirror, there is no sign of the roar and thunder with which it can leap from the precipice, and yet remain what it is; or again, rise high in the air as a fountain. When water is as cold as ice, you can have no idea of the latent warmth contained in it.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.