RACK, n. An argumentative implement formerly much used in persuading devotees of a false faith to embrace the living truth. As a call to the unconverted the rack never had any particular efficacy, and is now held in light popular esteem.
A popular character in old Italian plays, who imitated with ludicrous incompetence the "buffone", or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play.
The partisan strife in which the people of the country are permitted to periodically engage does not tend to the development of ugly traits of character, but merely discloses those that preexist.
Pertaining to a certain order of architecture, otherwise known as Normal American. Most of the public buildings of the United States are of the Ramshackle order, though some of our earlier architects preferred the Ironic. Recent additions to the White House in Washington are Theo-Doric, the ecclesiastic order of the Dorians. They are exceedingly fine and cost one hundred dollars a brick.
Mad; adj. Affected with a high degree of intellectual independence; not conforming to standards of thought, speech, and action derived by the conformants from study of themselves; at odds with the majority; in short, unusual. It is noteworthy that persons are pronounced mad by officials destitute of evidence that they themselves are sane.
TECHNICALITY, n. In an English court a man named Home was tried for slander in having accused his neighbor of murder. His exact words were: "Sir Thomas Holt hath taken a cleaver and stricken his cook upon the head, so that one side of the head fell upon one shoulder and the other side upon the other shoulder." The defendant was acquitted by instruction of the court, the learned judges holding that the words did not charge murder, for they did not affirm the death of the cook, that being only an inference.